I would like to draw faces better. I have been told to practice, practice, practice. Well, I need a bit of fun added to all that. I got some new small journals from my friend, Beth. She decorated the covers with a gelatin plate print.
I drew my first face looking at a photo in a magazine. Well, at least you can recognize it as a face. Now to add the amusing part. I found words that are positive and words that are negative. There are all kinds of sayings that start with “You’re not___, you’re______.” It might be fun to just insert random words to bring a smile when looking at the pages of my practice faces. Here are the results. I’m hoping you will find them amusing as well.
Now go make your own art and make yourself smile today!
People have told me they like my handwriting when they see my art journals. I did get A’s in handwriting while I got C’s in art! Now it is all well and good if you have good handwriting, but to add your personal script in your art is less about it being good than it is being yours.
Have you ever found a handwritten note, card or recipe from a relative who is no longer here? Isn’t it thrilling to see something that you know they held in their hands and wrote themselves. Even our children’s handwriting tentative and inexperienced as it is brings a special joy. These things have meaning not because they are “pretty” but because they are evidence from a precious hand. Your hand, your writing is just as precious and should be added to your art.
I love my friend Gerry’s handwriting. I used it as a background paper on one of my journal page spreads.
I had a letter from a German relative. Carl Heinz had organized a family reunion in Germany that we attended a few years before he died. So his last hand-written letter to us was precious to me and I photocopied it and used several bits of it in an altered book about family stories.
So, be brave, leave your mark. It is nice to have fancy stamped words and interesting cut out words, but nothing can compare to your own handwriting. Leave behind your art, but also your own special handprint..your written words for future generations to touch.
Have you ever joined an online art group or challenged yourself to a yearlong project? In the beginning we all have high hopes and aspirations to make a lot of art daily, weekly or monthly and then fall behind. We seem to do this with diets and resolutions as well. I’ve come up with some ideas to help us along the way without feeling like total failures.
. In 2013 I did an online group and discovered I didn’t like the song title prompts since I didn’t know the songs. Sometimes I made art from the titles. Sometimes I listened to the song online, then did the art. It didn’t seem personal or exciting to me, so I switched gears, made up my own prompts, and dropped the project all together. As much as we’d like to sometimes, we really don’t change much. Don’t beat yourself up over not completing a project. Once you realize a group isn’t for you, move on. We all don’t have the same tastes in art or art prompts and it’s okay to let go and move on.
FIND THE RIGHT GROUP
Last year I started Journal 52 with high hopes. I made my book…well started to…by cutting and exposing a corregated cardboard cover that I planned to decorate…sigh. I cut enough pages of bristol to get started. I had the grand idea to put the word prompts or part of them in block letters along the end of each page and cut around them. I didn’t think I’d have any trouble keeping up as the pages weren’t that big and there was only one a week Chelle Stein had such wonderful prompts. I may have finished 8 or 10 of the 52.
As I knew I loved this group, this year I began again. But, knowing myself and my busy life, I decided to pare down my expectations. Not every page would be a weeks worth of work. I’d start with a smallish premade book. That takes several hours off the table. No restraints as to shape or decor of pages. Make art for the prompts for me. Post them or not. We are only on week 5, but so far so good…and already better than last year!
So here is my advice. Do the prompts you want to do.
See the project as a learning experience without expectations.
Like a diet, let lapses go and start each day/week as a new beginning.
Change directions if something isn’t working for you.
Re-title: Instead of 365 days of faces….365 days (or thereabouts) of faces
Almost 52 week journal
Prompts I liked from 2015
Art should be fun and if it becomes filled with angst and pressure, it is time to lighten up and move on to whatever makes the joy come back into your art making. Now go play!
I recently took a class that reminded me of a watercolor painting that I did years ago. I was working on Arches 100% rag paper and learned if I had a really awful painting, I could scrub most of the paint off with a toothbrush under running water. So I did that, and ended up with a muted background. I learned to paint around shapes with a dark color and pull out stems and leaves by leaving them the muted underpainting.
Fast forward many years and Elaine Pierce presented a class she said was inspired by me. I didn’t see how, until I took the class and she gave me credit for teaching her how to use napkins in collage. As often happens with my teaching, I present a little technique and my students come up with amazing art. This is why I often brag that although I’m not that great an artist, I must be a great teacher as my students often surpass me with inspired, beautiful art.
In the class, we did a light brush-blend background using colors suited to our chosen napkin color palette. Mine was yellow, gold and white. Then we penciled in our tablecloth, vase and where our leaves would mostly be. We covered these places with bits of our separated napkins. (When using napkins in collage, you separate the white background layer(s) from the colorful top). We used mod podge. We then mixed our background color and painted around our tablecloth, vase and leaves. I had trouble seeing where to put my leaves and covering some up, so I resorted to outlining them with a black sharpie. I added some shadows and white ferns. I finished with 3 coats of varnish.
For the book page spread, I simplified the process. I skipped the underpainting and started with drawing the 3 trees with a black pen. Then I took a variety of napkins and tissue papers to make the trees distinctly different colors in the foliage. I tore the papers into tiny pieces and adhered them with mod podge. You don’t have to be careful to stay within the lines you’ve drawn as you will be redrawing them later. The tree trunks were covered with bits of the inside of a business envelope and a little napkin. We then adhered some dark green tissue at the roots of the trees to pull out some grasses. We took our black pens and redrew the trees taking advantage of the out-of-the-line bits to add a little more interesting shapes to them. We also drew in simple grass shapes. Then we poured out some acrylic paint using a big puddle of turquoise and a little dark blue to make it darker than some tissue we used. We loaded a brush with mostly turquoise and a swish of the dark to create a little variation in the painted surface (though I’m not sure it shows!). We painted around all our drawn shapes. I used the dark blue paint and an angle shader brush to float in some shadows along one side of the trunks, the bottom of the foliage and some in the middle of the leaves.
It is a fun process and you could do this with any kind of background. So go and play!
I just learned what to call my doodling with a plan…zentangle inspired art. I guess since I am not a CZT..certified zentangle teacher by studying with Rick and Maria…I can’t call what I do zentangle. So, semantics aside, I received a wonderful new book for Christmas called The Beauty of Zentangle by Suzanne Mc Neill, CZT and Cindy Shepard, CZT. They have included examples from 137 tangle artists from all over the world. It is a fabulous book full of inspiration! I was so entranced by a couple of tangles I hadn’t seen before, that I set about doing them over and over to learn them well.
I was also delighted to see two of my friends included in the book. Sandra Strait of lifeimitatesdoodles and I exchanged atcs (artist trading cards) just before she began her obsession and delight in tangling. I remember her asking if anyone else loved making up new designs. I was mesmerized by some of her early work and how intricately she would shade her art. I’m not surprised at all about her current success. The other person I recognized in the book is the owner of a shop I frequent, someone I know personally, Jennifer Van Pelt, CZT. Her work is so precise and designed so beautifully that it is a pleasure to see it around the shop.
Right now I am working on a card for my Mom’s 91st birthday. No one should have a January birthday…especially if it comes early in the month. I’m using a card that I marbled when I had out the shaving cream some time ago. I drew two halves of a heart and “tied” them together with strings. One of the cards shown here will give you an idea of that.
So here are the cards I made from December 26th to the 29th. The face idea came from Annika Sylte of Norway. She drew a beautiful face, I glued one on. The cards are atc sized because I plan to trade them at Artzona in February.
Have you ever wanted to make your own stamps? It may be easier than you thought! You can just carve patterns. Houses are always fun and fit into a variety of places in your art. For the flower stamp, I used a flower shaped eraser! The easy carve material from Speedball or Artist and Craftsman is much easier to carve than the erasers which are a bit harder rubber. I bought a carving set, but find I mostly use the curved tool for gouging out my pattern. For the face and dancing girl, I traced an image with a pencil onto tracing paper. I tried to transfer the image with graphite paper, but it wouldn’t stick. In desperation I just turned the pencil over and rubbed the back. Voila…a perfect image appeared! Much easier than I made it out to be. It is really fun to stamp in black ink over your fancy gelli plate or dylusions spray backgrounds. I prefer the black Versafine stamp pad. It is waterproof and gives a great impression. Try it…you might like it!
Sometimes you just have to play! I made this beautiful background using fingerpaints from a dollar store. The background is canvas paper. I used my fingers…what else! On some of the papers I used a stamp of a flower. If you use a rubber stamp be sure to clean it right away, although the fingerpaints may clean up easier than acrylics. I blended colors and patted and smeared. Then I used punchinella to pounce through and print with. I don’t think I’ve used this background yet, but have lots of ideas on how to use it. It would be great for atcs, altered books, journal pages and mixed media canvas’. I generally photocopy my backgrounds before cutting them up so I can use them in other art. I think it is time to go play…just have fun with it!